While it would be rude not to have this beautiful return from the Thin White Duke as our second single of the week, we can't help but be reminded by the video of Vic and Bob's 'Marvin and Otis' sketch - 'watching the ships sail in and back out again...' Welcome back Mr Jones, it has been too long.
Fellow Owl and blog contributor, Sammy Merry, was waxing lyrical about Goat's debut album 'World Music' several months ago. So with the album featuring in a number of end of year best of lists, we thought it was worthwhile reminding you of how ruddy good they sound.
All the best pop songs usually clock in at under three minutes and have an instantly hummable chorus that lodges itself into your brain and will only be teased out with a saucer of warm milk. New Zealanders Popstrangers tick all the boxes with their new single 'Heaven' taken from the soon to be released debut album 'Antipodes'. There's also a nice little nod to The Mighty Boosh in the video too. So everyone's a winner.
Despite its late arrival in 2012's release schedule, the debut album by the L.A.four-piece the Allah-Las featured on a number of 'end of year best of' lists (including our very own). With their blend of four-part harmonies, jangly chords and obvious nods to the mid-sixties sounds of The Byrds and The Zombies, the band are a real tonic as we take our first tentative steps into 2013.
With everything Facebook has got on me I'm always surprised that their 'pages you might like' researchers (in the right hand side column) don't delve a little deeper into the mind of my click finger than pushing adverts for Airwaves chuddy and Italian Weddings. They must know I ain't clicking. But this week they caught my eye with this monstrosity. Yes, it is that flower. Good, God no. What am I doing that makes Zucherberg and co think I would like to buy the 'James ultimate boxset'?
Look at the size of it! Mind you its not as big as some of the 'bundles' I've just spent the past hour Googling. Whatever happened to asking for ONE CD for Christmas? So in the spirit of everyones favourite Viz character- Spoilt Bastard- I shall give you the run down of what's (not) on my list to Santa.
"Would you like your Gran to get you a CD from that Andy's Records son?"
"Oh ay' Mother. Can you tell her to get me the 'Blur 21: The Box + Parklive: Deluxe 5 Disc Set + T-Shirt + Mug + Tote Bag Bundle'?"
"Fair enough son. how much is it going to cost her?"
"£205. And tell the greedy fuck I want a Mars selection box too..."
Quite frankly if you still haven't got round to picking up a copy of Parklife I wouldn't bother. It was good, but unfortunately you've missed the boat. And if there is a disc somewhere in there amongst all the that tat called 'LIVE AT THE BRIT AWARDS 2012' you're probably better off with the James collection above.
And what the frig is a tote bag anyway? Pretty sure from my school days they were the PE kit bag of shame. Speaking of shame, I bet when the Manic Street Preachers promised to make one album and then clear off in a blazing ball of rock'n'roll credibility, they never imagined it being re-branded like this?
"But why don't you like your Xmas present son? You said that all you ever wanted for Christmas was a 'Generation Terrorists' dog tag?"
"No you cretin. I wanted a 'Holy Bible bracelet' to wear with my 'Gold Against the Soul nose ring'. GET IT RIGHT MOTHER!"
"OK. Pass that big red tin of Fox's Chocolate biscuits over son. I'm parched for one of those gold foil-wrapped ones."
"Gettaway Mutha! It's the 'Screamadelica 20th Anniversary Limited Collector's Edition' you daft twat!"
"Oh sorry son! I am a dick."
Is there anything more soul destroying than a 'making of' DVD even if it is for an album as great as Screamadelica? Thanks all the same but I don't really want the extra tracks that weren't good enough for the original. The T.Rex album The Slider was one of the first records I ever heard (cheers Dad) and it is indeed a fantastic LP. 'A' being the important word. THIRTEEN top tunes on ONE album. Not all this toss.
Aside from a million versions of the album it comes with essays, sheet music, Bolan fan club letters, membership cards, rosettes, concert stubs, posters, stickers, patches, bags, locks of Bolans pubic hair (probably) and its own video trailer, but, "I STILL WANT MORE!"
Hold on Josh. I thought you were a DJ not a hitman dentist, because this is just plain creepy. What is that? Every single tune, mix, scratch and fart from the once great Mr Shadow himself. Complete with essence of DJ Shadows actual shadow reformed into an acrylic kryptonite slipcase.
And finally the 'flogging a dead record' award goes to... as always... THE STONE ROSES! Listening to music used to require an amp and a turntable but you need planing permission to own this beast. IT ONLY HAS ELEVEN TRACKS! (Which are all pretty good I might add) although this no doubt has fifty times that. But you get a bunch of really cool artwork postcards and a presentation box. Great.
So there you have it. Even in the Boxing Day sales your £15 HMV voucher isn't going to go very far. So tell your Gran to stick her vouchers, get out the plastic and order one of these many Pink Floyd box sets.
More of this type of cynical nonsense can be read HERE. Merry Christmas.
Hell yeah! Two of the best albums from last year have been remixed in full and they are quite sensational. Firstly MOGWAI have released 'A Wrenched Virile Lore', a compilation of remixes from 2011's 'Hardcore Will Never Die But You Will'. Their 2001 remix album 'Kicking A Dead Pig' was a blinder but this surpasses it. They are also the best at song names ever. Stream the entire album HERE or if you can't handle an hour of it take in my personal highlight below, an Aphex like rehash of single 'Rano Pano'.
Secondly the Horrors have let some buggers loose on their masterpiece 'Skying'. It's called 'Higher' and you can stream it HERE... AND I HIGHLY RECOMMEND DOING THIS. If you have a spare £50 you can own thIS amazing super-duper boxset... If you have a spare £100 you can buy one for me too...
Years that end in a 2 or a 7 tend to be pretty good music
wise and although 2012 will probably not go down as being of the calibre of say, 1997 (or 1962, 1967,
1977, 1982, 1992, 1997, 2002, 2007- not sure about 1972 & 1987?!) I feel
that on reflection it has produced some interesting stuff. This is the year they played FUCK
BUTTONS at the Olympics for Christ sake! However, having read umpteen end of
year ‘best of lists’ over the past few days I’m sick of it (minus the VO’s of course). One look back at your own 'best of list' from as recently as 2009, you realise our memories
are short, our standards were low and there aren’t many of those coveted 'great albums' that you’re still spinning. So lets get some perspective and celebrate
the true 2012. Here is my list of why the past year in music has properly sucked.
Where to begin? I guess the fact that 2012 introduced me to the worst single I’ve EVER heard is as good a place as any. No joke, either. Step forward GREEN DAY. I wasn’t into Green
Day when they were supposedly ‘good’ twenty years ago, but could tolerate a few
minutes of it. But this new ’un was something special. Christ knows what their
TRIP(L)Ealbum sounds like, but if its
like that single I heard (don’t know the name, can’t be bothered to find out.
Would rather type ‘Free Animal Porn’ into my browser search engine) then
the fans are in for a treat. JUST GROW UP!
All hail the THE VACCINES who snuck in at
number two to claim second worst tune of 2012/my life/human existence.Remember this is my ALL-TIME list of HATE
(previously including the Foo Fighters, B*witched, the Kooks and every post
1998 Oasis song). Quite a feat Mr twenty twelve.
2011 had THE HORRORS. 2012 Had TOY. In the words of Richard IV in Blackadder; ‘as excrement compared to cream’.
Contrary to the VO list (and nearly every other one) I’m not
really understanding how TAME IMPALA are getting so much qudos for doing a bit
of Lennon karaoke. To be fair I haven’t heard that much of it but whilst my
copy of ‘Twist and Shout’ still works I’m not arsed about finding out. And
whoever it was who excitedly told me JAKE BUGG sounds like Cast, yes! you were
right. Speaking of CAST Wikipedia tells me that they
released a chuffing album in 2012, ironically titled ‘Troubled Times’. That HAS
to be great, right? (Although my worst album purchase of 2012* goes to
MAN FOREVER and ‘Pansophical Cataract’. Thirty five minutes of miserable,
rhythmic pain.)
*I realise the above wording makes it sound like I BOUGHT
the new Cast album. I didn’t. Nobody did.
I feel a bit mean slagging off ALT-J as I think they are alright and they do have a few decent
tunes. I also sort of enjoyed seeing them support Wild Beasts earlier in
the year, but I’m getting into this now and, well, it’s just a bit shit isn’t
it? For me Wild Beasts pull it off and weather the storm through my Antony and
the Johnson-esque this-is-creepy-uh-oh-what-the-fuck-am-I-listening-to doubts
and find a beautiful, melodic place of oh-hang-on-this-is-really-great. Alt-J
don’t. It’s just so OK its sickening. And ‘An Awesome Wave’ is an album name
even David Gray wouldn’t touch.My
predicition for Alt-J is they will either follow the path of other Mercury
champs (Speech Debelle, Gomez, Badly Drawn Boy) and quickly disappear OR go the other way and become
massive, multi-million selling headlining superstars which will unfortunately
mean in order to reach a larger audience they will get wetter and subsequently more
irritating (Coldplay, Keane. etc). So I can’t see myself picking up their
follow up LP which will no doubt be called ‘A Crescendo of Calm’ or something
equally vile. Is that fair enough?
More lies about the twenty year wait for MY BLOODY
VALENTINE’s follow up to ‘Loveless’ pissed me right off and also 2012 had the
nerve to be a year with no new FALL album. Unacceptable. At least DODGY
released some new material…
As for having no desire to “desecrate
the grave of seminal Manchester pop group The Stone Roses" the less said
on that the better. By my reckoning, in 2014 we will be able to celebrate the
reformation of EVERY band from the nineties. Next year we have Rialto, 18
Wheeler and Hurricane#1 to look forward to. And Oasis no doubt. (Where is the Heathen Chemistry ten year re-issue
anyway?)
And what in the name of Roll With It were BLUR doing soiling
so heavily on their worth at the Brits. Quite embarrassing. On the subject of confusing comebacks, go and listen to a bit of THE D.O.T, (new
project from Mike Skinner from The Streets and Rob
Harvey of the Music) I DARE YOU! Sensationally bad…
But enough cynicism and miserablism from me. Let us enjoy this brief period of back-patting and mix tape swapping before the slate is wiped clean for another year. Twenty twelve, like
every year briefly is when we do the annual December look-back, was the best year EVER. Thankfully my
desire for finding new exciting music is as alive as it was 15 years ago. Just
don’t make melisten to that XX album again.
Or ANIMAL COLLECTIVE...
Following on from the VO Best Albums of the Year list posted last week, here is a link to a mixcloud of 15 or so tunes, making up some of my personal choices for 2012. The mix can be found by clicking on the adjacent flashy, GIFF image of the album sleeves.
Its about 55 minutes long and is smoothly(ish) mixed together in a vague attempt at being 2 Many DJs. Its called BRING ME THE HEAD OF SUSAN BOYLE and quite frankly its the last thing I have to say on what I think has been a pretty impressive year for new music.
My own definitive list can be found HERE. See you in 2013.
Having myself, cocked a snook at Uncut Magazine's best albums of 2012 list, I should not be surprised if readers of this blog raise an eyebrow at some of our choices for records of the year. While Tame Impala, Sharon Van Etten and Richard Hawley are probably going to appear in a large number of best of 2012 lists, I wonder how many will feature The Pre-New, Karriem Riggins or ZZ Top? Not many, I guess. But quite frankly, who cares? These were the Velvet Owl Gig Collective's favourite records of 2012. We played them, sang along to them, danced to them, heard some of them performed live, but most importantly, they reminded us why we love this crazy mixed up kid that we call pop music.
Have a great Christmas everyone. We'll see you on the other side.
One Day I'm Going to Soar - Dexys
Tramp - Sharon Van Etten
Standing at the Sky's Edge - Richard Hawley
The Lion's Roar - First Aid Kit
Give You The Ghost - Policia
Lonerism - Tame Impala
Django Django - Django Django
Put Yr Back Into It - Perfume Genius
Kill for Love - Chromatics
The Echo Show - Yeti Lane
Given To The Wild - The Maccabees
Coexist - The XX
Boys and Girls - Alabama Shakes
Heaven - The Walkmen
World Music - Goat
Lido - Darren Hayman
A & E - Graham Coxon
Blunderbuss - Jack White
Cyrk - Cate Le Bon
Bloom - Beach House
Music for People Who Hate Themselves - The Pre-New
Local Natives - Breakers On the strength of their criminally overlooked debut album Gorilla Manor and this blast of sun-blissed pop, we have already reserved a place on our best albums of 2013 list for the new long player Hummingbird.
Cold Pumas. Sounds a lot slicker than an Arctic Monkey and their debut album does a lovely take on Sonic-Pavement-Youth. You can stream the whole album HERE but you really should pre-order the lovely looking vinyl over at FAUX DISCX. Mostly because it looks like a Hockney painting but also the fact that as I type this there are only 68 of the 500 left.
The recent publicity for the 50th anniversary of the release of The Beatles "Love Me Do", and subsequent re-visiting of all things mop-top across all forms of media, called to mind a comment made by a pre-fame Kurt Cobain, some twenty-odd years back. Cobain's assertion that the Fab Four wrote every pop song it was possible to write, and that all subsequent acts have merely re-hashed the Lennon/McCartney back catalogue, is difficult to argue with, and it is clear that the Beatles continue to cast a long shadow over the world of popular music. To give the Nirvana frontman his due, he more than most in recent years manged to put a different spin on the songs that changed the world, and one always had the feeling Lennon would have approved of Cobain's music and refusal to abide by industry rules. In his short time as the frontman of the world's biggest band, Cobain constantly sought to reinvent his band's sound and had no interest in standing still. "In Utero" was a long way from being "Nevermind II".
But to find a band who have truly continued to push things forward, eschewing all claims to commerciality whilst honing a sound that is uniquely their own, one would have to go a long way to touch the majesty of The Fall. That they can pull this number of diehards to a former TV studio (the home of Trisha!) in the heart of Norwich on a wet midweek evening, with no new material to push, is testament to their continued appeal. That the sound continues to be this uncompromising, yet still undeniably pop and in thrall to the sounds coming out of Liverpool half a century ago, offers proof of the genius that is Mark E Smith. Yes, genius is a much over-used word, but an hour in the man's company leaves you in little doubt.
Tonight, Smith is on imperious form, prowling the stage, microphone in each hand, twiddling with the amps and driving his tremendously well-drilled band to new levels of excellence. Of course, the lyrics continue to be as unintelligible as ever, but that voice is now so iconic that just the fact that sounds are emerging is more than enough. The set draws mainly from more recent material, with "Bury Parts I and II" from "Your Future Our Clutter" providing a clear mid set highlight, but it is during a much deserved encore that things go stratospheric. Smith performs a blistering "Reformation" from behind the speakers at the side of stage, looking at once both ridiculously like a scalded schoolboy and like the coolest man alive. Near-hit "Theme From Sparta FC" keeps the pace at furious levels, before a final, triumphant run through "Mr Pharmacist" sends the faithful away ecstatic and reminds all just how long The Fall have been cranking out shit this good, constantly at the top of their game.
If The Beatles truly did write all of pop music, then better The Fall continue as the keepers of the flame, rather than the dullards regularly foisted on us as the next big thing by the music media. We will never see their like again. Enjoy them while you can.
The encore of the Fall gig and an interview with MES can be viewed HERE
I’ve been looking forward to this one. Three of my
favourite bands of the past few years courtesy of Rocket Recordings, the
coolest label around with great ears for some of the loopiest psych, prog-post-rock electronics this side of 1998. Oh and their records look lovely too.
So arriving just as GNOD start their psychedelic 45
minute spin out over waves of effects and a backdrop of audible moon dust, I realise I have
no idea what the members of Gnod do or look like. Apparently people slip-in and
out of the band when they like and the jam-style nature of their live set means
you aren’t going to see the same Gnod twice. Tonight however they are a fairly conventional band set-up fronted by a
bowl-cutted singer who looks like an Inspiral Carpet inside the frail body of
the boy from the Secret Garden. In a paisley shirt. Tomorrow night the frontman
will probably be a pile of Hawkwind records and a bong.
Although improvisation sounds a little dirty and
indulgent in 2012, Gnodmake their
sludgy psychedelic space rock sound less like a stoned jam but a genuine
attempt at treading new sonic ground. The primordial drum beat leaves the
entire audience spellbound, apart from the few who are as high as a kite and
plod out a trance like dance. Last track Tonys First Communion which is played over
spiralling stained glass visuals, threatening organs and samples of a Catholic
church service, makes the transition from last years InGnodWeTrust LP very
well, and confirms for me that Gnod are one of the most exciting bands around.
You can’t beat a band in a mask. Daft Punk (always).
Slipknot (hell yeah). Eminem (chain-sawing in 2001). The Manics (a balaclava-clad
Faster on Top of the Pops). The list goes on, and GOAT are no exception as they
greet the crowd like extras from Live And Let Die the musical. Despite the
guitarists execution mask being a bit too creepy, they look amazing and his shuddering guitar sounds alongside the
tessellating, kaleidoscopic visuals from their LP sleeve help provide a
deranged atmosphere.
With this being Goats first EVER gig I naturally had a few
doubts about how their fantastic debut would come across live. No worries there as Goats sound is rabidly high-powered and the strength of tunes such as Goatman, Let
it Bleed and Run to Your Mama mean they just can’t fail. The singer and voodoo
‘Bez’ figure duel dance their way through the set with a vague suggestion they
are referencing something more sinister, but more likely its the
only possible way to do these bat shit crazy songs justice. By dancing.
I‘ve read quite a few reviews of Goats debut album but words only seem to further confuse, as it really
is all over the place. Afrobeat? Psych-trance-metal? Krautrock? Some Stonesy
bits. Some Disco bits. Ah, just go and get it. A large crowd of fans brandishing
vinyl copies of World Music was a pleasure to see. I hope our paths cross again
very soon as I get the impression that Goat, like many great bands, may not be around for that long. I haven't ever checked YouTube the day after a gig before but I really wanted to see these Swedish rockers do their stuff for a bit longer. Here is what I found.
So to finish, and following that onslaught those poor bastards TEETH OF THE SEA have a difficult task. But despite the room
thinning out a little they do a mighty fine job of interpreting the ferocious
atmosphere and electronic elements of their 2010 album You’re Mercury. It was
this LP that helped me into discovering many delights from the Rocket Recordings roster, so I was pleased to hear
elements of it tonight. The bands use of synths alongside live trumpets gives
them an amazing sound which I’m reluctant to pigeon-hole as post-rock, but it
certainly isn’t ‘rock’ of any kind I’ve heard before. What is remarkable about
TOTS live is how they are seemingly in complete control of these sounds and
unnerving noises, and produce a lion-taming display of raging, penned-in sonics, which is
exactly what I want to be faced with on a Friday night. @sickbookies
A late contender for our albums of the year list, singer-songwriter Josephine Oniyama's Portrait is full of instantly hummable pop music that sounds perfect in the autumn sunshine. The new single 'Original Love' is released on the 22nd October. Josephine - Original Love
Having been inspired to put together our favourite albums of the 90s following a chance meeting with Martin Carr at this year's Green Man Festival, the Velvet Owl have gone one step further and chosen their favourite songs from that decade too. I'm sure there are a few in here that will have you raging into the night and questioning our taste, but I'm sure you will get over it. 1. Babies - Pulp
2. Straight to You - Nick Cave and the Bad Seeds
3. Dry the Rain - The Beta Band
4. Unfinished Sympathy - Massive Attack
5. Live Forever - Oasis
6. Motorcycle Emptiness - Manic Street Preachers 7. Undone (The Sweater Song) – Weezer 8. Cut Your Hair – Pavement 9. Give Me Daughters – Jonathan Fire Eater 10. Kowalski– Primal Scream 11. Waitin’ For Superman – The Flaming Lips 12. Wishing I Was Skinny – The Boo Radleys 13. Loser -Beck 14. Something 4 the Weekend – Super Furry Animals 15. Sabotage –The Beastie Boys 16. Come Together (album version) - Primal Scream 17. If I Can't Change Your Mind - Sugar 18. You Got The Love – The Source 19. Natalie’s Party – Shack 20. Alcoholiday - Teenage Fanclub 21. Someday I Will Treat You Good – Sparklehorse 22. All Apologies - Nirvana 23. Trigger Cut - Pavement 24. Blue Flowers – Dr Octagon 25. Olympian – Gene 26. Lazarus - The Boo Radleys 27. Cannonball - The Breeders 28. Common People - Pulp 29. Bill Is Dead - The Fall 30. The Asphalt World - Suede 31. Born Slippy - Underworld 32. Fanfare – Eric Matthews 33. Tonight we fly – Divine Comedy 34. Ice Hockey Hair - Super Furry Animals 35. For Tomorrow - Blur 36. Race For The Prize – The Flaming Lips 37. Ladies and Gentlemen We’re Floating in Space (Elvis version) – Spiritualized 38. Dress - PJ Harvey 39. Fuzzy – Grant Lee Buffalo 40. Groove is in the Heart - Dee-Lite 41. Silver Machines – Cardinal 42. Birdy– 22 Pisterpikko 43. Lover You Should Have Come Over - Jeff Buckley 44. Regret - New Order 45. Why Don’t You Take Me – One Dove 46. Loaded - Primal Scream 47. The Concept - Teenage Fanclub 48. Waltz No.2 – Elliot Smith 49. Gepetto – Belly 50. Cigarettes Will Kill You – Ben Lee 51. Golden Skin – Silver Sun 52. End Credits - Laptop 53. Tomorrow – James 54. Friends of P – The Rentals 55. Inside story – Chris Knox 56. Another Day, Another Riot – The Toasted Heretic 57. Wise Up – Aimee Mann 58. Papua New Guinea – Future Sound of London 59. You Were meant For Me – Jewel 60. Superstar – Superstar 61. I Think I'm In Love - Spiritualized 62. Standing At The Doorstep Of Love - The Rockingbirds 63. Digital Black Epilogue - Urge Overkill 64. Don’t I Hold You – Wheat 65. Da Funk - Daft Punk 66. Higher State ofConciousness - Josh Winx 67. I See a Darkness Bonnie Prince Billy 68. No Diggity - Blackstreet 69. The Man Don’t Give a Fuck - Super Furry Animals 70. Summer Babe - Pavement
You can’t beat a band in a mask. Daft Punk (always).
Slipknot (hell yeah). Eminem (chain-sawing in 2001). The Manics (a balaclava-clad
Faster on Top of the Pops). The list goes on, and GOAT are no exception as they
greet the crowd like extras from Live And Let Die the musical. Despite the
guitarists execution mask being a bit too creepy, they look amazing and his shuddering guitar sounds alongside the
tessellating, kaleidoscopic visuals from their LP sleeve help provide a
deranged atmosphere.
So to finish, and following that onslaught those poor bastards TEETH OF THE SEA have a difficult task. But despite the room
thinning out a little they do a mighty fine job of interpreting the ferocious
atmosphere and electronic elements of their 2010 album You’re Mercury. It was
this LP that helped me into discovering many delights from the Rocket Recordings roster, so I was pleased to hear
elements of it tonight. The bands use of synths alongside live trumpets gives
them an amazing sound which I’m reluctant to pigeon-hole as post-rock, but it
certainly isn’t ‘rock’ of any kind I’ve heard before. What is remarkable about
TOTS live is how they are seemingly in complete control of these sounds and
unnerving noises, and produce a lion-taming display of raging, penned-in sonics, which is
exactly what I want to be faced with on a Friday night.
